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This Penn graduate, who went on to film school at the University of Miami, knew all along that he wanted to work in scripted television.

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With an editing resume that now also includes New Girl, The Daily Show and Behind the Music, Akhtar took on directing (the pilot episode of the MTV series 8th & Ocean, Unsolved Mysteries, the Billy Crystal/Melissa McCarthy opening for the 2012 Oscars , and the TV Diaries pilot for Fox) and garnered an associate producer title on Crazy Ex-Girlfriend. An editor was born!Īfter moving out to LA and paying his dues working on unscripted and music video shows, Akhtar went on to earn one Emmy nomination for editing the Billy Crystal opening sequence from the 2012 Academy Awards broadcast and another (along with frequent collaborator AJ Dickerson) for his work on Netflix’s Arrested Development in 2013. When Kabir Akhtar, ACE, who cut season one of Crazy Ex-Girlfriend, got the itch to start editing, he didn’t even know that what he was doing was actually editing… he was just having some fun. In high school, Akhtar would use his computer, multiple tape decks and stereos to record and mix different songs, creating mash-ups, remixes and even musical voicemail messages. Additionally, Avid Nexis Enterprise now leverages 100 terabyte media packs to scale up to 4.8 petabytes. Avid Nexis E2 now supports SSD drives to deliver the extreme performance required when working with multiple streams of ultra-high-resolution media in real time.

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More Storage: Avid Nexis Pro now scales to 160 terabytes - twice its previous capacity – to give small post facilities the ease-of-use, security and performance advantages that larger Avid Nexis customers have access to.MediaCentral Panel for Media Composer: Within the Media Composer user interface, MediaCentral Panel allows users to see media outside of their active project as well as drag and drop assets from MediaCentral directly into any Media Composer project, bin or sequence.It works with a broad spectrum of Avid and third-party video editing, audio, visual effects and graphics software. Artist DNxIVvideo: This interface offers a wide range of analog and digital I/O to plug into diverse media productions.Creative team members can easily collaborate with each other from wherever they are. MediaCentral Cloud UX: An easy-to-use and task-oriented graphical user interface, MediaCentral Cloud UX runs on any OS or mobile device, and is available to everyone connected to the platform.

Users can collaborate using the new MediaCentral Panel for Media Composer, which provides direct access to MediaCentral content right in the Media Composer interface. Without needing an NLE, assistants and producers can ingest files, create bins, add locators and metadata, create subclips and perform other asset management tasks - all from a simple browser interface. MediaCentral Editorial Management gives a view into an entire organization’s media assets.

MediaCentral Editorial Management: This new media asset management tool enables everyone in a creative organization to collaborate in secure, reliable and simply-configured media workflows from a web browser.

Avid collected feedback from working editors while developing a collaborative workflow that goes beyond bin-locking and project-sharing to include integrated storage, editing, I/O acceleration and media management.īesides Media Composer, MediaCentral solutions for post integrate Avid’s products in a single, open platform that includes: MediaCentral for Post is a scalable solution for small and mid-sized creative teams to enhance collaboration and so teams can work more efficiently with 4K and other demanding formats, delivering their best work faster.

#PREPARE MEDIACENTRAL FOR FILE PLAYBACK SOFTWARE#

Dubbed MediaCentral for Post, the solutions integrate Media Composer video editing software with a new collaborative asset management module, new video I/O hardware and Avid Nexis software-defined storage.

At IBC2017, Avid introduced new MediaCentral solutions for post production.

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